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 | BF-3 | The BF-3 gives guitarists and bassists an updated version of the classic Boss flanger with the thickest stereo flanging sounds ever. 2 new modes (Ultra and Gate/Pan) create flanging with incredible depth -- plus slicer-type effects and sounds that seem to swirl around you. | call for price |
 | CEB-3 | This dedicated design ensures that your sound retains all the power and clarity of the original bass sound. Low filter lets lowest frequencies through unaffected. Controls for level, low filter, rate, and depth. LEDs show status of controls at a glance. | call for price |
 | GEB | Compact in size but featuring a wide frequency range -- from 50Hz all the way up to 10kHz. It has 7 sliders, 3 of which cover the critical midrange (400Hz, 500Hz, and 800Hz) where the character of the bass sound is determined. Each slider boosts or cuts over a +/-15dB range, allowing for substantial tone-shaping capability. | call for price |
 | LMB-3 | Lets you balance the overall output level to get consistent, stable-sounding bass lines across the wide dynamic range of the instrument. For fine-tuning, there's a threshold level control, as well as a ratio parameter that gives you much more flexibility in limiter level adjustment. To add more clarity, power, and presence, use the enhance control for a punchy sound that cuts. | call for price |
 | ODB-3 | Tailored to meet the demands of today's bassist with a wide variation of sharply contoured sounds ranging from a mild overdrive to a hard distortion. It covers the entire spectrum, including five-string basses, so there's no muddiness, even on the lowest notes. A balance control is provided so you can mix the effect with the bass signal to keep the power and presence of the original sound. Can also be used as a two-band EQ. | call for price |
 | SYB-3 | Designed especially for bass. Morph up to 16 bass chorus voices at once for an endless palette of amazingly rich effects. Built-in voice randomization increases with more voices for an even denser wash of killer chorus. | call for price |
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 | XBC | Designed especially for bass. Morph up to 16 bass chorus voices at once for an endless palette of amazingly rich effects. Built-in voice randomization increases with more voices for an even denser wash of killer chorus. | call for price |
 | XBD | When you need to get raunchy, when you need to step out front and be heard, when you need a total metal meltdown, you need Bass Driver. 3 overdrive pedal models can be morphed for entirely new sonic combos. Includes 9 volt battery. | call for price |
 | XBS | dbx and DigiTech joined forces to bring you one seriously heavy bass compression pedal. Award-winning dbx OverEasy compression technology squeezes the best out of your bass. Great for controlling dynamics in the studio or rolling out a lush carpet of tight tone. | call for price |
 | XBW | Choose from 7 different bass envelope filter types to create unique and engaging synth wah sounds to fit in any piece. You'll be astounded at the range of smokin' sounds you can get out of this little pedal. Includes 9-volt battery! | call for price |
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 | M-188 | For adding character to your bass tones, check out the MXR Bass Auto Q. It'll instantly funkify your riffs with authentic Crybaby® wah and add a lush shimmer to sustained notes and chords. Turn the simplest rhythm and lead lines into complex textural effects, and take your music into uncharted territory. 5 knobs give you infinite control of the Bass Auto Q: Range controls the frequency floor of the effect; Q modulates the intensity of the wah by adjusting the bandwidth of the filter from a broad, subtle curve to a bright, sharp peak; Blend controls the mix between the wah and shimmer effects; Decay controls the transition between wah and shimmer; Rate controls the speed of the shimmer, from tremble to shriek; and Volume controls the overall effect volume. A rugged footswitch lets you bypass or engage the effect, and graphics glow in the dark to make this pedal easy-to-read on an dark stage. Housed in a virtually indestructible zinc box and powered by a single 9V battery or optional ECB-003 AC adapter. | call for price |
 | M-80 | The M-80 is more than just a direct box. It's got so many features, you may wonder how you ever did without it! It includes a distortion channel with gain, volume, and blend controls; a noise gate to help keep it clean; a Color control; and 3-band EQ control that lets you dial in any tone you need. It also provides phantom power, and sports a parallel output jack for flexibility in routing. Whether you like it sweet and clean or hot and nasty, this DI does it all! | call for price |
 | M-88 | This popular bass effect adds a deep note one octave below the note you're playing for a huge, stadium-filling tone. Compare this new MXR Bass Octave to ANY unit on the market (even the European models), and you'll be pleasantly surprised. The MXR tracks instantly with what you're playing, and continues to synthesize useful subtones for lower fundamentals, where other pedals give up. | call for price |
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 | Bass Driver | A pre-amp DI that makes sense for a lot of bass players because it makes ordinary gear sound fantastic! Exclusive Tube Amplifier Emulation circuitry delivers the warmth, presence, and punch of a souped-up bass system, and it gets monster overdrive sounds, too. Includes an XLR out for DI and a parallel 1/4" out for running an unaffected signal to your stage amp. Has Presence, Drive, Level, and Blend controls; active Bass and Treble EQ. Can use phantom power, 9V battery, or optional DC power supply. Highly recommended by our bass guys. | call for price |
 | BC-1 | This affordable and practical unit combines compression and active tone controls. EQ section is a dual band that cuts or boosts 12dB. It eliminates the need for a mid control, lets you quickly dial up a great sound in any venue, and makes any passive bass instantly active. The unit provides compression from as little as 1:1 up to 15:1, and even when set low limits harsh peaks, no matter how hard you slap. | call for price |