| Thumbnail |
Model |
|
Price |
 |
AB-2 |
Call for Killer pricing! |
call for price |
 |
AW-3 |
Gives guitarists a
wide range of classic auto-wah and dynamic wah effects, plus a new
'humanizer" effect that can simulate human vowel sounds. A bass input
even provides a variety of funky wah sounds for bass guitar. An EXP
mode allows wah control via optional expression pedal. |
call for price |
 |
BD-2 |
The classic, bluesy
sound of a vintage tube amp in a compact pedal. The BD-2 gives you
all the textures you need to scream, sing, or cry. Controls for Gain,
Tone, and overall Level. |
call for price |
 |
CE-20 |
Models classics such
as the CE-1 and SDD-320 and lets you create entirely new effects including
chorus for bass and acoustic guitars. Brilliance and Ambience knobs
provide unprecedented control over the effect engine. 6 chorus modes,
4 user memories with pedal recall, stereo I/O, headphone jack, and
BOSS 5-year warranty. |
call for price |
 |
CE-5 |
Creates the full range
of stereo chorus effects, from grunge to warm vintage sounds. Turn
the Rate control to max for a vibrato effect. |
call for price |
 |
CH-1 |
The versatile CH-1
produces the swirling chorus sounds heard on many rock, jazz, country,
funk, and other popular music recordings. |
call for price |
 |
CS-3 |
Get smooth sustain,
a more balanced string response, and more clarity and punch at any
volume. A must for recording. Ideal alone for a clean sound or in
front of a distortion or chorus. |
call for price |
 |
DD-20 |
Big Savings! |
call for price |
 |
DD-3 |
With 3 delay-time
modes, this delay unit can handle all your performance needs. Features
delay times that range from 12.5ms to 800ms. Produces endless repeats
on demand in Hold mode. |
call for price |
 |
DD-6 |
Over 5 seconds of
delay time, tap tempo without external footswitch, and reverse mode
make this one of the most versatile and interesting effects you'll
ever rely on. First-of-its-kind Warp mode generates radical delay
effects instantly. Mode, level, feedback, and delay time controls.
|
call for price |
 |
DS-2 |
Features twin Turbo
modes! Mode One produces warm and mellow distortion with flat frequency
response. Mode Two provides a biting distortion with a mid-range boost
that's great for leads. The built-in remote jack allows you to connect
to an external footswitch such as the FS-5L for instant, hands-free
mode switches. |
call for price |
 |
FV-300 |
Low impedance for
use with keyboards. |
call for price |
 |
FV-50h |
High impedance for
guitar and bass. |
call for price |
 |
FV-50I |
A low-impedance stereo
pedal for keyboards. |
call for price |
 |
GE-7 |
Exceptionally quiet
EQ with silent FET switching. 7 bands of EQ in the optimum range for
guitar. Provides 15dB of either cut or boost in each selected range.
|
call for price |
 |
IS-2 |
Makes it easy to switch
settings among several effects and to route input and output signals.
2 line loops and 6 looping modes provide a wide variety of applications.
Used with an AC adapter, the LS-2 can supply 9V DC power to several
Boss compact pedals. An ideal supply/switching unit for multiple effects
setups. |
call for price |
 |
MD-2 |
The secret is a dual-stage
distortion circuit with an added Gain Boost, plus Bottom and Tone
controls for crushing distortion with massive low end. If new-school
metal is your thing, this is your pedal. |
call for price |
 |
MT-2 |
Dual-gain circuits
scream with super-long sustain and seething distortion. High/Low shelving
EQ plus mid-band Parametric EQ; separate Level and Distortion knobs.
Durable housing. |
call for price |
 |
NS-2 |
Effectively eliminates
noise and hum of the input signal while preserving the original sound's
tonality. Natural attack and envelope remain unaffected by suppression
of the noise components. |
call for price |
 |
OC-2 |
You won't believe
the thickness of the sounds from your guitar. The OC-2 reproduces
3 separate tones: the original tone, one octave below, and 2 octaves
below. Each of these parts has its own volume control, so they can
be mixed as desired. |
call for price |
 |
OD-20 |
COSM modeling gives
you the sound of 16 classic overdrive/distortion pedals plus 6 all-new
tones, while deep-level controls let you shape your own sounds. Attack
Shape and Heavy Octave knobs let you profoundly impact the effect.
4 user memories and line out with amp simulator that's also a headphone
out. Amp control jack lets the OD-20 double as a footswitch for switching
amp channels. BOSS 5-year warranty. |
call for price |
 |
OD-3 |
One of the most versatile
overdrives on the planet. Features classic 3-knob configuration with
level, drive, and tone controls that let you dial in everything from
sweet bluesy sounds to screaming monkeys, and more. Backed by a 5-year
warranty. |
call for price |
 |
OS-2 |
Choose overdrive or
distortion, or combine both! This integration gives you more options
than using serially connected units, and provides a hard distortion
while still maintaining the nuances of single-coil pickups. |
call for price |
 |
PH-3 |
New 'Rise" and 'Fall"
modes for unique, unidirectional phasing. Syncing these phasing effects
is as simple as tapping the pedal to tempo. Includes classic multi-stage
phasers with selectable stages. |
call for price |
 |
PS-5 |
It does what no other
compact pedal has done before: shifting (basic or intelligent), harmonies,
de-tuning, and a variety of whammy-type tremolo arm effects. Simple
knob-based controls. Can be used with an optional expression pedal
to shift pitch in real time. |
call for price |
 |
PW-10 |
This first-of-its-kind
programmable COSM-based modeling wah gives you instant access to 6
classic and modern wah pedal sounds, as well as all-new Double Resonance,
Uni-V, and Voice sounds never found in a wah pedal before. The V-Wah
features onboard overdrive/booster effects plus 3 digital memories
for storing your favorite sounds. Also features noise-free infrared
operation. |
call for price |
 |
PW-2 |
The PW-2 Power Driver
makes you sound like you're playing through a tube amp stack! The
Muscle control gives your distortion an intense mid-range boost, while
the Fat control gives you chunky low-end distortion. Great for power
chords and head-turning leads. |
call for price |
 |
RC-20 |
A long sampling time
of up to five minutes, and easy handsfree control make this a must
unit for guitarists, bassists, and other musicians who create and
play back loops on the fly. Guide Click and Loop Quantize functions
let you create perfect loops using footpedals. It can change sample
tempos without changing pitch. An overdub function lets you create
sound-on-sound loops. Stores up to 10 looped phrases. It has a mic
input, instrument input, and aux input for sampling vocals or pre-recorded
audio -- even simultaneously. Reverse function creates reverse playback
on the fly. |
call for price |
 |
RV-5 |
Its 6 high-quality
reverb modes are on a par with rackmount processors costing many times
as much. First-of-its-kind Modulate mode detunes the reverb sound
for added spaciousness. New spring reverb emulation offers realistic
spring reverb sounds. New Gate reverb taken from high-end Roland studio
gear. Level, tone, time, and mode controls. |
call for price |
 |
SD-1 |
Gives you the warm,
smooth distortion of an overdriven tube amp, without blurring the
nuances of your picking technique. Provides tone control for precise
adjustments. |
call for price |
 |
TR-2 |
Classic tremolo pedal
creates real vintage tremolo guitar sounds and variations. Built-in
wave knob lets you alter the LFO waveform from triangle to square,
for a wider range of tremolo variations. Rate knob is a sweepable
high-speed LFO control, allowing greater control over tremolo speed.
|
call for price |
| Thumbnail |
Model |
 |
Price |
 |
Whammy-R |
This new Whammy's
performance and sound are reminiscent of the original red WH-1 Whammy.
All the favorite whammy settings that guitar players covet are available
again at the touch of a knob. Added is a new Dive Bomb effect, similar
to that of a Floyd Rose® whammy bar pushed all the way to the body
of the guitar. Another new addition is a MIDI-in jack, allowing remote
control of effects via MIDI devices. Both type and control are accomplished
via MIDI program changes and CC messages respectively. Wet/Dry outputs
are provided. Includes power supply. |
call for price |
 |
XDD |
The DigiDelay pedal
gives you up to 4 seconds of delay, more than is found in many studio-quality,
rackmounted delay processors. And that's just the beginning! The DigiDelay
also lets you select various delay types such as stereo ping-pong,
tape delay, and other phat delay sounds, plus tap tempo so you can
set the delay time exactly to the beat. Controls include Level, Repeat,
Time, and Mode. Outputs include Left/Mono and Right. Includes 9V battery.
|
call for price |
 |
XDV |
The spring reverb
is so real you can almost hear the spring rattling in the box. Different
plate reverbs put excitement in your snare or vocals, and various
halls breathe warm space into any instrument sound. Level, EQ, Decay,
and Type controls let you tailor your 'verb any way you like. Left/mono
and right outputs. Includes 9V battery. |
call for price |
 |
XHP |
Triggering feature,
step function, speed, depth, regen, and mode knobs enhance your control
for an amazing palette of phase possibilities. Left/mono and right
outs. Includes 9V battery. |
call for price |
 |
XHR |
The Hot Rod morphs
between 3 of the most revered classic distortion stomps ever made:
the ProCo Rat, the Boss DS-1, and the Arbiter Fuzz Face. It delivers
rich rock growls that can be tweaked into a near-limitless array of
distortion sounds with a simple twist of the Morph knob. The unique,
innovative spectral-contouring EQ provides astonishing tonal range.
2 outputs, one for normal signal out and one with advanced cabinet
modeling, make this stomp ideal for studio or stage! Controls include
Level, Tone, Gain, and Morph. |
call for price |
 |
XMC |
The XMC features up
to 16 voices that you can morph through by rotating the Voice knob.
The result? Chorusing so thick it flows like butter! Randomization
thickens the chorusing even further as you add more voices. Switchable
cabinet emulation and stereo outputs round out this awesome-sounding
stomp! Controls include Level, Speed, Depth, and Voice. |
call for price |
 |
XMM |
Multidistortion technology
produces seemingly endless distortion types that can be morphed into
wild combinations. Morph between endless combinations of the most
brain shredding, headbangin' distortions out there: the Boogie Mark
III, Boss Metal Zone, DOD Death Metal, Rectifier, and beyond! Also
features powerful spectral-contouring EQ plus a clean signal out and
a special out for cab modeling. High enough quality for studio use.
Controls include Level, Lo and Hi EQs, and Morph. |
call for price |
 |
XMS |
Cutting-edge dbx®
OverEasy® technology and quality electronics deliver smooth sustain
and release characteristics. The result is near-transparent compression
for long, tube-like sustain that doesn't break up at the end of the
note. Level, Attack, EQ, and Sustain controls let you precisely tailor
the length of your note and tenor of your tone. Instrument and tuner
outs. Includes 9V battery. |
call for price |
 |
XP-200 |
Put realtime effects
expression control at your feet. Contains a library of awesome, high-quality
effects. Delivers several chorus/flange effects, vintage and modern
phaser types, classic rotary speaker emulation, pedal sweep phaser/flanger
effects, imaging effects including tremolo, vibrato, and panning.
Simply select an effect and use the Expression treadle to vary modulation
speeds and effect levels. You can even store your favorite settings
in 6 user memory positions for quick access. Also features LED display,
18-bit A/D/A converters, and a chromatic tuner. Includes power supply.
|
call for price |
 |
XP-400 |
This amazing pedal
allows you to increase reverb in mid-song. Change the level or decay
of a multitude of reverb types including Halls, Plates, Springs, and
special ducked reverbs. 6 user memory locations, built-in chromatic
tuner, and a volume pedal effect. |
call for price |
 |
XSW |
The XSW Synth Wah
doesn't leave you stranded with just one wah - it gives you 7 stellar
sound types with tons of tweakability. Take control of vowel sounds
and various wah types to provide rich variety to your leads. Precision
control comes from Mix/Level, Range, Sensitivity, and Type knobs.
Instrument and tuner outs. Includes 9V battery. |
call for price |
 |
XTD |
Rotate the too-cool
Morph knob for a huge range of overdrive sounds ranging from the DOD
250 to the TS-9 Tube Screamer to the Ibanez TS-808 and everything
in-between! Tweak the Low and High EQ for incredible tone shaping.
2 outputs deliver normal signal and advanced cabinet modeling. Level,
Tone, and Gain controls. |
call for price |
| Thumbnail |
Model |
 |
Price |
 |
250 |
The famous DOD 250
has returned and it's still screeching and roaring! Ideal for players
who like to clean up their tone and just clip the top of the signal.
Includes a level and gain control, and that good ol' metal switch.
P/S-PS125 |
call for price |
 |
FX-20c |
Gives you that unique
sweeping sound that only a phaser can deliver. Offers up to 180 degrees
of phase shift from a 6-stage regeneration phase circuit. P/S-PS200R
|
call for price |
 |
FX-22 |
Takes a sweet-sounding
vibrato, adds a selectable amount of independent phasing and a dash
of regeneration, and gives you those crazy Vibro-Thang effects. Plus,
the phasing adds a Leslie-sounding color to your guitar's sound. Great
for rockabilly, country, or classic rock. Uses optional PS200R power
supply. |
call for price |
 |
FX-25b |
This reincarnation
of DODs original envelope filter goes a step further, adding a blend
control for great response from both guitar and bass. Added touch-sensitive
wah-wah expression. Two other controls adjust the sensitivity and
range thresholds. |
call for price |
 |
FX-40b |
Tailors your tone
or eliminates feedback in an instant. Offers 7-bands of 18dB boost/cut
for frequency spectrum control in a very compact pedal. P/S-PS125
|
call for price |
 |
FX-55c |
From soft, natural
tube warmth to raunchy distortion with near-endless sustain. Level
and drive controls let you grind at any volume. Uses optional PS200R
power supply. |
call for price |
 |
FX-64 |
Delivers chorus as
shimmering and expansive as the Northern Lights. Turn it up to fast
speeds and it sounds smooth as ice. Also features high EQ which allows
you to turn your sound into a chilling chorus effect or roll off the
high end for a full, subtle chorus. Uses optional PS200R power supply.
|
call for price |
 |
FX-66 |
Get yourself back
to the 70s with this super psychedelic fuzz box and time machine.
Groovy cosmetics, man, and all the controls you need to fuzz it to
the limit. Uses optional PS125 power supply. |
call for price |
 |
FX-69 |
Ruthless grind to
growling, raging metal tones. Level control lets you do damage at
any volume, and 2-band EQ shapes output to give you the cutting edge.
Uses optional PS200R power supply. |
call for price |
 |
FX-75c |
Time-delay circuitry
produces deep, churning flange sounds. Full ambient stereo imaging.
Controls for Width, Speed, and Regeneration. P/S-PS200R |
call for price |
 |
FX-84 |
Compressor and frequency
expander in one box. Gives you creamy, smooth compression, and the
'pasteurization" control can be used to expand the signal's high frequency
to perfection. Uses optional PS200R power supply. |
call for price |
 |
FX-86 |
True metal monsters
need real metal tone. Look no further. Nonstop distortion with shrieking
highs, moaning lows, and vicious bite. Controls for Guts (low EQ),
Pain (mid EQ), Scream (high EQ), and R.I.P. (output level). Uses optional
PS200R power supply. Seriously tough heavy metal stomp box. |
call for price |
 |
YJM-308 |
The master of shred
has always used a DOD pre-amp overdrive pushing the front end of his
tube amps to generate his signature tone. Now he has joined with DOD
to design a full-bodied distortion effect that maintains definition
even at the highest gain, so you can hear every note of Yngwie-fast
runs. At mid-gain it provides a throaty, warm edge. Super-sturdy box
with big knobs and silky-feeling gain and level pots. |
call for price |
| Thumbnail |
Model |
 |
Price |
 |
DL-4 |
This is the first
stomp box to give you digitally modeled effects. Includes 16 vintage
delay and echo effects including Tube Echoplex, Space Echo, Deluxe
Memory Man, Analog Delay, Reverse, and many more. It also provides
for 3 programmable presets and an onboard Tap Tempo control, 14 seconds
of sample-loop memory, true bypass switching, an expression-pedal
input for realtime control of all effects settings, and stereo inputs
and outputs. |
call for price |
 |
FM-4 |
Models of sixteen
new and vintage effects including Mu-Tron III, Moog, Arp, Korg, and
Roland synths; Oberheim VCF; formant filter; and more. Four memories.
Bonehead simple to use. Tough as nails. Has true bypass. |
call for price |
| Thumbnail |
Model |
 |
Price |
 |
SV-1 |
The circuitry is adapted
from that used in the A880 and Valvestate chorus amps, but adds a
new filter control to give you even greater sound shaping. The standard
speed and depth controls are there as well, plus a wave control. |
call for price |
| Thumbnail |
Model |
 |
Price |
 |
DynaComp |
Creates infinitely
clean sustain by means of a signal-limiting processor that varies
its gain so the output signal stays constant. Features Output and
Sensitivity knobs and LED on/off indication. |
call for price |
 |
M-104 |
Can be set to produce
low volume controllable distortion, increased to achieve a warm tube
overdrive. Maxed out it produces an extreme fuzz with long sustain.
|
call for price |
 |
M-109 |
Turn a problem signal
into something that absolutely glows and discover your own signature
sound! The MXR EQ offers 6 bands covering all the essential guitar
and bass frequencies with each slider ready to deliver 18dB of cut
or boost. Create scooped mids or massive lows you never thought possible,
add natural-sounding warmth to a quacky acoustic pickup, instantly
eliminate onstage feedback, or boost your overall signal when using
a massive chain of floor effects! Redesigned from the original to
include a rugged bypass switch and 'positive feel" sliders. |
call for price |
 |
M-120 |
Instantly "funkifies"
your sound especially when applied to sustained notes and chords.
Incorporated into even the simplest rhythms and lead lines the Auto
Q can create dramatic, counter-rhythmical textural effects. Volume,
decay, "Q," and range controls provide for super-precision attenuation
to accentuate even the subtlest nuances. Indestructible black metal
housing. Controls and pointer knobs glow in the dark. DC 9V battery,
AC wall adapter (ECB-003), or Dunlop DC power brick. |
call for price |
 |
M-132 |
An improved version
of the legendary Dyna Comp, it's the ultimate source for the 'Nashville
sound." Attack level control preserves initial volume without sacrificing
sweet sustain. Sensitivity control lets you dial in just the right
amount of compression. Super-tough housing with bypass footswitch
and LED. |
call for price |
 |
M-135 |
3 selectable types
of noise reduction: Hiss, Mid, and Full. Bites down on hiss and hum
but lets all of your music shine through. Intelligent design provides
dual high and low adaptive filters, opens at lightning speed, introduces
no extra distortion, and lets you control the sensitivity of the gate's
threshold. Hardwire bypass with footswitch; and slim, tough stompbox
housing. |
call for price |
 |
MXR-100 |
10 stages of programmable
phase shifting, adjustable intensity for sweep width, and notch depth.
Controls also provide for regeneration in 2nd and 4th position. |
call for price |
 |
Phase |
Classic phasing with
variable speed control, on/off switch. Uses nine-volt battery or optional
ECB03 power supply. |
call for price |
| Thumbnail |
Model |
 |
Price |
 |
Acoustic |
Now you can plug your
acoustic instrument direct to a mixer or with either an electric or
acoustic guitar amp, and still keep your natural acoustic tone. Mic
emulation eliminates unnatural harmonics associated with piezo pickups
for a more natural, miked sound. Also features treble or bass controls
that cut or boost 12dB; parametric mid EQ allow you to notch out frequencies
to remove feedback; effects send and return make it easy to add effects.
Also functions as a standard DI. Operable with phantom power, 9V battery,
or 9V DC power supply. |
call for price |
 |
AW-1 |
Call for Great Pricing! |
call for price |
 |
Classic |
Still made almost
entirely by hand, the Classic contains a bank of eight character switches,
which adjust the fine and subtle nuances of tonality, harmonics, and
dynamics. A three-position input switch gives you a choice of pre-amp
styles: Lead (for Marshall®-type preamps), Normal (for Mesa Boogie®-type
preamps), and Bass (for Fender®-type preamps). The knob controls shape
pre-amp contours, power amp contours, volume, and final tone. |
call for price |
 |
DDC |
Drive A cranks distortion
that's rich with even harmonics in the AC-30® manner. Distortion is
dynamically controlled by the input level so that you influence the
harmonics ratio by how hard you pick. Drive A/B puts out distortion
loaded with odd harmonics in the Fender®/Marshall mode. Drive A's
signal path runs into Drive A/B's creating electronic multiplication
for a cascading effect. The interaction of the drives with the tone
control gives you infinite variations so you can go from clean boost
to filthy fuzz. Aside from the output knobs for the 2 drives, there
are tone and level controls. Uses 9V battery or optional power supply.
|
call for price |
 |
DDP |
Drive A cranks distortion
that's rich with even harmonics in the AC-30® manner. Distortion is
dynamically controlled by the input level so that you influence the
harmonics ratio by how hard you pick. Drive A/B puts out distortion
loaded with odd harmonics in the Fender®/Marshall mode. Drive A's
signal path runs into Drive A/B's creating electronic multiplication
for a cascading effect. The interaction of the drives with the tone
control gives you infinite variations so you can go from clean boost
to filthy fuzz. Aside from the output knobs for the 2 drives, there
are tone and level controls. Uses 9V battery or optional power supply.
|
call for price |
 |
GT-2 |
It costs less than
the original Sans Amp, and it's easier to set up. So they compromised
on sound quality, right? Not as far as we can tell! GT2 purrs and
screams with the same kind of fat, warm, glowing-glass sounds heard
in the original, but cost-effective manufacturing brought the price
down. You select amp type, modification, and mic placement. Find the
tone you want using high and low EQ, set your level, dial up distortion
with the drive knob, then hit the 'on" switch. A truckload of tube
amps in a pedal! |
call for price |
|
GT-2 |
It costs less than
the original Sans Amp, and its easier to set up. So they compromised
on sound quality, right? Not as far as we can tell! GT2 purrs and
screams with the same kind of fat, warm, glowing-glass sounds heard
in the original, but cost-effective manufacturing brought the price
down. You select amp type, modification, and mic placement. Find the
tone you want using high and low EQ, set your level, dial up distortion
with the drive knob, then hit the "on" switch. A truckload of tube
amps in a pedal! |
call for price |
 |
Killer Wah |
The Killer Wail overcomes
the classic faults of the wah, while preserving the original circuit
design. The mode selector provides a variety of curves for greater
flexibility. A custom-wound and potted inductor coil cancels noise
and reduces microphonics. A bypass switch has an extra pole to remove
the circuit load which can muddy and weaken the signal. Considerably
warmer and more musical than conventional wahs. |
call for price |
